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| Fiona Apple |
Photos: Chris / Review: Damien & Chris
Damien's Thoughts:
It says a lot about my sense of optimism when I wake up on the morning of any music festival and assume that it's going to be a maaaaaassive shitshoooooow, but as it turns out I had absolutely nothing to worry about when I got to Randall's Island for Day 2 of Governors Ball 2012.
Transportation from my uptown lair to the island itself was a breeze (in the form of a hipster-filled X80 bus to Randall's), and upon retrieving my VIP wristband ably provided by VIP Of Life James MacFie, I found myself staring down into a field containing two massive stages and dozens of tents full of swag and tacos and tacos (and tacos). I lowered the elbows that I was expecting to have to throw on my way in and strutted off to the VIP area at the Hype Machine stage to meet up with Jamie and Chris to chill on beers and air-conditioning before checking out Freelance Whales. Yes, that last sentence sounds bougie, but damn if I don't love some VIP treatment.
Freelance Whales put on a good set for sure, but I quickly forgot about it as we were using the area essentially just to meet up before heading to the other side of the Ball to get our minds rocked by NYC-via-Saratoga Springs indie rock / electronica duo Phantogram on the Honda Stage. I'd seen Jamie rocking their album and EP on Spotify and been intrigued, but their live set took their shoegaze-meets-J. Dilla beats musical style to a completely different level. Perhaps benefitted by the Honda Stage's intense bass setup and touring drummer Tim Oakley, tracks from the Eyelid Movies LP like "Running From The Cops" and "Mouthful of Diamonds" took on a slinky and infectious life of their own. The beautiful Sarah Barthel let her vocals soar over the near-chiptune stylings of Nightlife''s "Don't Move," and by the time the band ended the set with "Futuristic Casket" the crowd was in full dance party mode. Definitely a band to catch when next they rock a venue or festival near you.
As evidenced by the number of beards sported by the crowd, Sunday's audience was definitely here to catch the '90s indie power players that were set to rock the stage: Built To Spill, Fiona Apple, and muh-fuckin' Beck. And really, how many different ways can I affirm the inevitability that YES, THEY ALL COMPLETELY KICKED ASS? I saw BTS rock through "Virginia Reel Around The Fountain," I saw Fiona kick her absolutely electrifying set off with "Fast As You Can" and end it with "Criminal," AND I saw Beck - who we honestly had no idea what he was going to do - rock through the bulk of Odelay and get thousands of people chanting the lyrics of "Loser" into the summer night sky.
All that and I ate nearly a half-dozen Hill Country BBQ brisket tacos. Props to the Governors Ball staff for near-flawlessly pulling off a Sunday in NYC that I won't soon forget.
Damien's Thoughts:
It says a lot about my sense of optimism when I wake up on the morning of any music festival and assume that it's going to be a maaaaaassive shitshoooooow, but as it turns out I had absolutely nothing to worry about when I got to Randall's Island for Day 2 of Governors Ball 2012.
Transportation from my uptown lair to the island itself was a breeze (in the form of a hipster-filled X80 bus to Randall's), and upon retrieving my VIP wristband ably provided by VIP Of Life James MacFie, I found myself staring down into a field containing two massive stages and dozens of tents full of swag and tacos and tacos (and tacos). I lowered the elbows that I was expecting to have to throw on my way in and strutted off to the VIP area at the Hype Machine stage to meet up with Jamie and Chris to chill on beers and air-conditioning before checking out Freelance Whales. Yes, that last sentence sounds bougie, but damn if I don't love some VIP treatment.
Freelance Whales put on a good set for sure, but I quickly forgot about it as we were using the area essentially just to meet up before heading to the other side of the Ball to get our minds rocked by NYC-via-Saratoga Springs indie rock / electronica duo Phantogram on the Honda Stage. I'd seen Jamie rocking their album and EP on Spotify and been intrigued, but their live set took their shoegaze-meets-J. Dilla beats musical style to a completely different level. Perhaps benefitted by the Honda Stage's intense bass setup and touring drummer Tim Oakley, tracks from the Eyelid Movies LP like "Running From The Cops" and "Mouthful of Diamonds" took on a slinky and infectious life of their own. The beautiful Sarah Barthel let her vocals soar over the near-chiptune stylings of Nightlife''s "Don't Move," and by the time the band ended the set with "Futuristic Casket" the crowd was in full dance party mode. Definitely a band to catch when next they rock a venue or festival near you.
As evidenced by the number of beards sported by the crowd, Sunday's audience was definitely here to catch the '90s indie power players that were set to rock the stage: Built To Spill, Fiona Apple, and muh-fuckin' Beck. And really, how many different ways can I affirm the inevitability that YES, THEY ALL COMPLETELY KICKED ASS? I saw BTS rock through "Virginia Reel Around The Fountain," I saw Fiona kick her absolutely electrifying set off with "Fast As You Can" and end it with "Criminal," AND I saw Beck - who we honestly had no idea what he was going to do - rock through the bulk of Odelay and get thousands of people chanting the lyrics of "Loser" into the summer night sky.
All that and I ate nearly a half-dozen Hill Country BBQ brisket tacos. Props to the Governors Ball staff for near-flawlessly pulling off a Sunday in NYC that I won't soon forget.
