Showing posts with label beacon theatre. Show all posts
Showing posts with label beacon theatre. Show all posts

Wednesday, May 2, 2012

Review: Death Cab for Cutie @ The Beacon Theatre


Death Cab for Cutie @ The Beacon Theatre, New York, NY - April 28, 2012

One of the bigger treats in life, to me at least, has got to be the joy of a great show. It has to have emotion and power, you have to be moved, and goddamn it, it had better sound fucking good. And that’s just what Ben and the boys delivered at the Beacon Theatre last Saturday. I shamefully admit that this was my first Death Cab show and it was worth the wait. 

Monday, December 19, 2011

Photos & Review: The National @ Beacon Theatre


The National @ Beacon Theatre -- December 16, 2011

Mariel and Margaret’s AWESOME REVIEW [Editor's Note: Haha yes nicely done.]
By Mariel Marrelli and Margaret Yang

We saw The National Friday night at their penultimate show of a sold out, weeklong engagement at the Beacon Theatre in NYC. As Fucking Nostalgic contributor James M. Graham best put it: “A week of shows? Who do they think they are the Allman Brothers?” The Brooklyn based band is known for their deep voiced lead singer and clever lyrics, so we thought it would be a slower, chill show. However, as one of the many plaid shirt wearing audience members quickly proved, with his fist pumping and almost mosh-pit like enjoyment, this show would be anything but chill.

The lights dimmed and Duran Duran’s “Wild Boys” played over the speakers. A screen set up behind the instruments lit up with a peek into the dressing room while the band finished their drinks and bantered. Due to technical difficulties, this only lasted a minute or two, and then the screen went dark and stayed that way until the band took to the stage for their opening song: “Ada.”

It was a night filled with guest appearances. Richard Reed Parry (from Arcade Fire) joined in on “Conversation 16,” a song he arranged vocals for. The biggest guest star united both hipsters and Phish-heads when Trey Anastasio from Phish took the stage for three songs: “Bloodbuzz Ohio,” “Squalor Victoria,” and “Murder Me Rachel.”

“Murder Me Rachel” started a period of the night that lead singer Matt Berninger quoted as his “Suite of Hate Songs” that spanned “City Middle”, “Wasp Nest” (which Matt proudly declared, “We can use sleigh bells because Black Flag did”) and “Available.” Ending the period of hate, Matt promised, “Okay, no more downers. Now, this one’s called Sorrow.”

After moving from their older repertoire the band played a song not even recorded yet called, “I Need My Girl,” a slow but sweet tune that neatly dovetailed the aptly named “Sorrow.” They then closed out the set with “England” and the crowd favorite “Fake Empire.”

During the encore, the band tapped into their inner The Who, tossing around guitars and mic stands as well as passing out half finished drinks to audience members while plowing through “Think You Can Wait”, “About Today”, “Mr. November,” and “Terrible Love.” The best, as they say, was saved for last. Calming down, the band invited the opening act, My Brightest Diamond and all the guest musicians to the stage for an acoustic version of “Vanderlyle Crybaby Geeks” while the audience stomped, clapped and sang along.

It was an excellent show, however, next time we hope to be closer to the stage in order to join in the mosh pit and partake in some the band’s drinks. Maybe next year The National will play two weeks at the Beacon… Take that, Allman Brothers!

Favorite Show Moments:

Mariel: 

Song: The Acoustic "Vanderlyle Crybaby Geeks"
Band Moment: At the beginning of the encore, Matt thanked his manager for leaving him a martini in the bathroom.
Biggest Regret: Though being from Ohio, I’ve never been carried there in a swarm of bees.

Margaret: 

Song: "I Need My Girl"
Band Moment: Matt, while enjoying a wine and a martini, jokingly requested a beer, only to get it a song later and pass it to the audience.
Biggest Regret: Not wearing plaid to the show.

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Check out more of Mariel and Margaret's photos from this AWESOME SHOW along with the full setlist below!

Saturday, November 26, 2011

Photos: The Cure @ Beacon Theatre


The Cure @ Beacon Theatre - November 25, 2011
Photos: Aleksandar Maćašev

Last night at the historic Beacon Theatre, The Cure brought their "Reflections" show to a sold out New York City crowd, performing Three Imaginary Boys, Seventeen Seconds and Faith in their entirety along with assorted b-sides and other hits. The show, which began as a two night performance in Australia back in May, features a lineup that includes long-missing keyboardist Lol Tolhurst as well as Roger O'Donnell, along with Simon Gallup on bass and Jason Cooper on drums.

The Cure will do the same thing tonight and tomorrow at Beacon, though tomorrow night's show marks the final time they will be performing these albums in succession like this. So... get a ticket because it's going to be great. Take a look at some photos from last night's show below, as well as the setlist they have been sticking closely to for these shows...












The Cure - Beacon Theatre - November 25, 2011

Three Imaginary Boys
10:15 Saturday Night
Accuracy
Grinding Halt
Another Day
Object
Subway Song
Foxy Lady
Meathook
So What
Fire In Cairo
It's Not You
Three Imaginary Boys
The Weedy Burton

Seventeen Seconds
A Reflection
Play For Today
Secrets
In Your House
Three
The Final Sound
A Forest
M
At Night
Seventeen Seconds



Faith
The Holy Hour
Primary
Other Voices
All Cats Are Grey
The Funeral Party
Doubt
The Drowning Man
Faith

Encore:
World War
I'm Cold
Plastic Passion
Boys Don't Cry
Killing An Arab
Jumping Someone Else's Train
Another Journey By Train

Encore 2:
Descent
Splintered In Her Head
Charlotte Sometimes
The Hanging Garden

Encore 3:
Let's Go To Bed
The Walk
The Lovecats
In Between Days