Archers of Loaf |
New York City Firemen |
Photos/Video: Chloe Lee / Review: Geanna B.
The port! The port! The port was on fire! ... apparently. While I'm pretty sure I missed all of the action and excitement on that front, by the time I arrived downtown, the multi-alarm fire was the talk of 4Knots, causing Hospitality to cut its set short, with a bit of a delay later in getting the Crocodiles on stage.
After melting only slightly in the breezy heat, the Crocodiles got the show going again, kicking everyone into gear with their brand of noisy, distorted pop. The duo-turned-quintet from San Diego played an excellent set, chock full of fuzzy guitar riffs, droning vocals, and gritty, angsty lyrics.
Next on stage: The Drums. I started listening to this band at the urgent suggestion/demanding of Mr. James MacFie this past fall, and have pounced on every opportunity to see them live since. This kind of upbeat, surf pop still keeps a bouncy edge throughout every song, and it's always fun to watch lead singer Jonathan Pierce glide and twitch along the stage. It's true, there are heavy hints of The Smiths and New Order and even sometimes Joy Division, but the catchy sound and hum-worthy melodies cannot be argued against. Playing through "Best Friend," "Money," and "Days," the band closed with one of their earliest singles, "Let's Go Surfing," a kind of wistfully glee ode to summer, a perfect tune for a day by the water.
And finally, the main event. After The Drums skipped off the stage to eat ice cream sundaes, the majority of the crowd filed out, needing to replace their American Apparel tanks and tees that had been soiled by sweat and light beer. That gave us plenty of room to move up for Archers of Loaf, the quintessential 90's alt-rock band, complete with muscle tees and trucker hats to boot. It was an interesting change of pace to go from skinny-hipster-reverb to burly-man-guitar-anthems, but this is New York, and that's how we roll. Those who remained in the crowd were die hard fans, singing along with every note, and sometimes shouting out a very enthusiastic, "loooooaf!" The sound seemed to shake the entire Pier, giving us one driving, unforgiving song after another. Fuckin A.
Oh, NYC. Just when I think I can't love you any more, you give me an amazing free summertime show. I just want to hug the shit out of you. Forever.
---
Check out photos Chloe shot for us of Hospitality, The Drums and Archers of Loaf below, and also a video she got of Hospitality performing a brand spanking new song...
The port! The port! The port was on fire! ... apparently. While I'm pretty sure I missed all of the action and excitement on that front, by the time I arrived downtown, the multi-alarm fire was the talk of 4Knots, causing Hospitality to cut its set short, with a bit of a delay later in getting the Crocodiles on stage.
After melting only slightly in the breezy heat, the Crocodiles got the show going again, kicking everyone into gear with their brand of noisy, distorted pop. The duo-turned-quintet from San Diego played an excellent set, chock full of fuzzy guitar riffs, droning vocals, and gritty, angsty lyrics.
Next on stage: The Drums. I started listening to this band at the urgent suggestion/demanding of Mr. James MacFie this past fall, and have pounced on every opportunity to see them live since. This kind of upbeat, surf pop still keeps a bouncy edge throughout every song, and it's always fun to watch lead singer Jonathan Pierce glide and twitch along the stage. It's true, there are heavy hints of The Smiths and New Order and even sometimes Joy Division, but the catchy sound and hum-worthy melodies cannot be argued against. Playing through "Best Friend," "Money," and "Days," the band closed with one of their earliest singles, "Let's Go Surfing," a kind of wistfully glee ode to summer, a perfect tune for a day by the water.
And finally, the main event. After The Drums skipped off the stage to eat ice cream sundaes, the majority of the crowd filed out, needing to replace their American Apparel tanks and tees that had been soiled by sweat and light beer. That gave us plenty of room to move up for Archers of Loaf, the quintessential 90's alt-rock band, complete with muscle tees and trucker hats to boot. It was an interesting change of pace to go from skinny-hipster-reverb to burly-man-guitar-anthems, but this is New York, and that's how we roll. Those who remained in the crowd were die hard fans, singing along with every note, and sometimes shouting out a very enthusiastic, "loooooaf!" The sound seemed to shake the entire Pier, giving us one driving, unforgiving song after another. Fuckin A.
Oh, NYC. Just when I think I can't love you any more, you give me an amazing free summertime show. I just want to hug the shit out of you. Forever.
---
Check out photos Chloe shot for us of Hospitality, The Drums and Archers of Loaf below, and also a video she got of Hospitality performing a brand spanking new song...
After melting only slightly in the breezy heat, the Crocodiles got the show going again, kicking everyone into gear with their brand of noisy, distorted pop. The duo-turned-quintet from San Diego played an excellent set, chock full of fuzzy guitar riffs, droning vocals, and gritty, angsty lyrics.
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